Areas of Interest
South Asian Arts, Aesthetics, and Visual Culture.
Mohammed Zaki Rezwan has over five years of experience in teaching a diverse range of courses, including visual art and culture, film, media, communication, critical writing, critical theory, literary theory, postcolonial theory, and literatures in English. He curated the exhibition Unveiling in 2019 at Centre A, the Vancouver International Centre for Contemporary Asian Art. He is now the Assistant Editor of Crossings: A Journal of English Studies. Prior to that, he was an editor of the Comparative Media Arts (CMA) Journal.
Visual art and culture of Bangladesh
Rickshaw Art Archive (https://www.rickshawartarchive.org/).
Tayeba Begum Lipi: Unveiling, Centre A: Vancouver International Centre for Contemporary Asian Art, Vancouver, Canada, November 15 - December 14, 2019.
Rezwan, M. Z., & Taslim, I. (2014). The Commodiﬁcation of the Feminine Disgust in Visual Media. In R. Bari (Ed.), Visualization of Women in Literature, Media and Science (pp. 59-64). Prasaranga.
Rezwan, M. Z. (2020). A Space of One’s Own: Spatial Experience of Playing with Fire: Ceramics of the Extraordinary. tba: Journal of Art, Media, and Visual Culture, 2 (1), 22-32.
Rezwan, M. Z. (2019). A Critical Apprehension of Marking the Inﬁnite: Contemporary Women Artists from Aboriginal Australia. Comparative Media Arts Journal (5), 1-8.
Hossain, M. S., & Rezwan, M. Z. (2017). To Touch or T̶o̶ ̶T̶o̶u̶c̶h̶: Towards a Tactile Reading. Anekaant: A Journal of Polysemic Thought (5), 103-112.
Rezwan, M. Z. (2015). From an Ecofeminist Eye into Witch and Witchcraft in Popular Film. Bangladesh Film Archive Journal (9), 26-31.
Rezwan, M. Z. (2020, April). Rongbaaz, Rickshaw, Revival. Showcase Magazine BD.
Rezwan, M. Z. (2019). A Reflection on Cedric Bomford’s Mountain Embassy. Reflection, SFU Galleries.
Rezwan, M. Z. (2016). Types of Questions You Come Across in Class. Shout, The Daily Star.
Locating Voices from the Margin in Ecofeminist Art of Bangladesh,” 109th CAA Annual Conference, 2021, New York City, USA.
The Art of Resistance: Exploring Rickshaw Art through the Mapping of Individual Film Reception in Bangladesh,” South Asia Graduate Student Conference (SAGSC-XVII), 2020, The University of Chicago, Chicago, USA.
A Counterpublic Discourse in the Making: Vehicular Art of Bangladesh and Beyond,” South Asia Conference of the Pacific Northwest (SACPAN) 2020, Simon Fraser University, Vancouver, Canada